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writings from a black perspective

FeaturedPosted on April 6, 2021April 7, 2021

Films You Should Watch.

FeaturedPosted on March 31, 2021March 31, 2021

How the Archiving of My Family’s History Folded Time and Space For My Own Creative Practice

FeaturedPosted on March 25, 2021

Clubs and Festivals Are Coming Back, But Where’s the Industry’s Fight Against Racism?

FeaturedPosted on March 16, 2021March 17, 2021

Twin flames extinguished: Notes on “Karma & Desire”

FeaturedPosted on March 12, 2021

How the Black-led Bij1 Party in the Netherlands’ is Making Waves in the Upcoming Election

FeaturedPosted on March 10, 2021March 10, 2021

Sanctuary: Exploring Artist’s Work Spaces in Brooklyn

FeaturedPosted on March 3, 2021

How History, Wealth and Nepotism Determine Access in South Africa’s Segregated Dance Music Industry

FeaturedPosted on February 16, 2021February 16, 2021

Running Out of Space: Drexciya, Boards of Canada, and the Post 9/11 Digital Psychedelia You Haven’t Processed Yet

FeaturedPosted on February 9, 2021February 9, 2021

Love and Theft: How the Appropriation of Negro Spirituals Taught America How to Sanitize Black Music

FeaturedPosted on February 2, 2021February 2, 2021

Fighting to Love Yourself in a World That Doesn’t Want You To

FeaturedPosted on February 1, 2021February 1, 2021

Southern Electronics Gallery

FeaturedPosted on January 26, 2021February 4, 2021

Techno is Black, Tekkno is German

FeaturedPosted on June 24, 2020June 24, 2020

A Conversation on the Bleaching of Techno: How Appropriation is Normalized and Preserved

FeaturedPosted on June 20, 2020June 20, 2020

Visit our digital techno history library

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